Monday, 5 January 2015
The future of the past...
Tanzania gained its independence from British colonial rule
in 1961 and two years later in 1963, Kenya and Malawi followed suit. In 1964 it was Zambia’s turn and finally in
1980 Zimbabwe also became an independent state. Travelling through these
countries one is struck by a similar socio-economic reality that is defined by
a general infra-structural under-development and widespread poverty.
As a rule, British travellers speak of the brutish colonial
past with barely muted pride and refer fondly to historical anecdotes as if
oppression then was an act of benevolence. They are largely unaffected by the
plight of the people and if possible would prefer to remain at a safe distance
from crafters and traders who often feel obliged to harass tourists in an
attempt to make just one overpriced sale.
In a sense tour groups are like visitors to a zoo, but in
this case entire countries are on display in their cages of poverty and
desperation. Towns which have some kind of natural attraction have lost their
identity and could be any tourist trap anywhere with quaint and mostly
expensive coffee shops, African themed restaurants and of course endless craft
markets with sometimes hundreds of stall owners trying to scrape by.
Governments on the other hand are cosying up to the USA
through USAID and China for trade deals in which most locals are overlooked or
underpaid. Progressive social ideals have been discarded to make way for free
markets that ensure international loans and cooperation and the continued
outflow of profits to these economic partners. The British are for the most
part uninvolved and yet the ‘ordinary’ British citizens who can afford to
travel still feel entitled and arrogantly superior with lopsided, propagandized
opinions borrowed directly from the international media and Wikipedia.
Having said all of that though, I saw a painting in the
Tinga Tinga Gallery in Meserani just outside of Arusha by one of the local
painters whose name I forget. It was a village scene with a protest theme and
in the centre of the image was a stern looking face staring directly at the
viewer with a placard held aloft that read: “African Presidents kill
100 000 people.”
And I sit and wonder what notions of responsibility for
freedom and independence mean after all is said and done…
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