Monday, 28 October 2013
Thursday, 24 October 2013
Thursday, 17 October 2013
Wednesday, 16 October 2013
Tuesday, 15 October 2013
THIS AIN'T IT!
This is not what liberation entails
After the centuries’ travails –
After all the revolutionary rhetoric –
The privilege of paying with plastic,
For these neo-colonial
Baubles and beads
That we believe sets us apart
From the heart of suffering
As we strut our stuff in this high-yield fashion
Ignoring the insidious oppression.
A welcomed enslavement
To the boardroom plantation master
And the billboard aspirations
That we have been sold and
For which we’ve made
The down-payment;
Happy to believe whatever
We’re told because
The advertisement said so
And the ads never lie.
Humanity has been decocted
Every one of us bar-coded
Noble ideals discarded
Notions of substance confused
By the mainstream jargon
That not too long ago
Still labelled my ancestors
Terrorists and dissidents
And rabble-rousing miscreants
Who had to be detained.
This cannot be the African dream
Nothing is what it appears to be
There will be no African dawn
While we still mourn the murder
Of parents and siblings and lofty ideals;
Freedom’s refrain usurped
By a chorus of muted appeals
As the blood congeals
On the sidewalks and highways
And the gutters of the ghettos.
This is not what our forefathers died for,
This is why they were killed.
Sunday, 13 October 2013
Wednesday, 9 October 2013
Tuesday, 8 October 2013
Monday, 7 October 2013
A LOVE LETTER FOR THE EPOCH
Cape Town writer Michael Wentworth launches the second edition of his poetry collection
When: Saturday 12 October
Where: Bolo’bolo – 76
Lower main Road Observatory
Time: 14h00
Cape Town-born writer, director Michael Wentworth, who currently
resides in the Great Karoo where he is working on a new novel, returns to the
city in October after a sold tour of Namibia, for a reading of selected poems
from the second edition of his collection of poetry titled A Love Letter for
the Epoch.
Born in Lansdowne, Cape Town to a diversely talented
family, Mikey, as he is affectionately known to friends and colleagues, patiently
and determinedly nurtured his dream to be a writer since his primary school
days.
Wentworth became independent from a very young age, traveling
continuously between Cape Town and Windhoek to visit his Namibian family. These
trips soon morphed into traversing across the length and breadth of Southern
Africa, profoundly nourishing and honing his skills through many encounters and
projects with a broad spectrum of creative South Africans. These experiences
are reflected in the diversity of his offerings as a journalist, playwright,
director and poet.
Wentworth started out writing children’s theatre in Taung
in the North West in 1996 and two years later his play Inside the Rainbow was
shortlisted for the British Council International New Playwright’s Competition.
He has since written and directed numerous dramas and musicals. He has collaborated
with household names such as Itumeleng Motsikoe, Peter Mashigo, Mbali Ntuli and
Manaka Ranaka but most of his work over the last decade has been produced
outside Cape Town, so, atypically, he is somewhat of an enigma to his home audiences.
Career highlights include the musical Torong – A Place to Dream which he
wrote, composed and directed as well as his one-man play Waiting which opened at the Grahamstown National Arts Festival in 2008
and featured live musical accompaniment by multi-instrumentalist Hilton
Schilder. The following year Wentworth returned to Cape Town to direct and co-produce
with brother Gary Wentworth the multi-disciplinary performance Live rAge, which
was an 80th birthday tribute to the poet and writer James Matthews,
who has been a source of inspiration and encouragement over the years. (One of
South Africa’s famous self-publishers whose debut collection Cry Rage was the
first book of poetry to be banned by the Nationalist government.)
In 2010, the fifteenth commemoration of the murder by
hanging of Nigerian writer and activist Ken Saro-Wiwa, Wentworth wrote and
co-directed the play Progres’ that
drew attention to the ecological devastation of the Niger Delta and the
struggle for self-determination of the Ogoni people. He is known for such
activism as well as his writing workshops with juveniles and youth at risk,
encouraging them to develop alternate ways of self-expression.
While Self-Publishing now internationally accounts for
most new work available in traditional and social media, this is still a very
brave exercise, especially in South Africa.
Moreover the act of publishing one’s own verses is even
more daunting at these rather complex and menacing times. A Love Letter for the Epoch however consists of poems that have
been written over the last two decades and should be read as a creative take on
the “birth” era of South Africa’s democracy. The Foreword to A Love Letter for the Epoch is written
by fellow writer and poet Keith Adams who was first introduced by mutual friend
and music director Abdel Naroth in 1995.
Copies of A Love
Letter for the Epoch will be available at R100. Further orders can be made
directly from Michael Wentworth.
For more info email
mikeywentworth@hotmail.com or call 0765157700
Wednesday, 2 October 2013
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